![]() ![]() It’s probably safe to say that most modern recordings bear only a passing resemblance to the sound of a band playing live in front of the listener.Īs stated earlier, the definition of a good sounding mix is largely in the ears of the listener. But most engineers will agree that a good mix should contain a few common characteristics:Įach sound in the mix should be clean and clear - no muddiness or blurring of the sounds or the stereo image, no excess noise or other anomalies.Įach instrument and part should be easily discernable. Sure, there’s nothing wrong with a “wall of sound” if that’s what you’re after, but even within those big, lush guitars, a great mix will be crisp and well-defined enough for the listener to pick out individual sounds. The mix should offer a good balance of frequencies. The mix should also be balanced between left and right channels.Īs with balance, this applies on many levels.Ī mix that’s too bottom heavy or too shrill will be unpleasant and exhausting to listen to. The music itself should have space – places between the notes where things breathe and dynamics develop. Of course, this will vary depending on the genre of music. There should also be an element of natural ambience to each instrument, and the ambience for these different instruments should blend well with each other. Needless to say, these characteristics alone do not make for a perfect mix, but a mix that lacks any one of them will very likely end up being at least a little bit problematic. ![]()
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